Women s Influence On Women - 1007 Words

Women are most likely to be discriminated for their gender and are made less than man in any type of activity in society. The men usually tries to make the women feel bad about their gender by telling them that they are not worth anything but in reality if a women decides to she can overcome all the obstacles even better than a men. Women are also different than men in the way they interact with each other (physically and socially). According to the author â€Å"In public places, men touch women more often than women touch men. Men also touch women in more places on the body than women touch men† (Andersen, 2015, pg.3). In our society the women’s reputation is always questioned or put to risk when performing any type of action. In many cultures†¦show more content†¦The first thing females would do is criticize my outfit, especially if that female is with her friends. I can even predict their judgements especially if I am wearing a provocative outfit â€Å"Look at her she looks promiscuous† or â€Å"She looks overweight.† The first thing females do is criticize at other females because of her physical aspect. Media also plays a role because as a society we tend to adopt the idea that the only top models are â€Å"perfect† and that anyone else can’t have the top model’s appearance. According to the author â€Å"Images of women’s beauty and implicit ratings of their bodies are rampant throughout the culture† (Andersen, 2015, p. 55). On the contrary, the male’s reaction towards my physical appearance is usually directed to sexual reactions. For example, if a male observes that I am wearing a provocative outfit he would think she wants a sexual relationship, but the female is wearing a conservative outfit he would then turn at the female’s actions. Therefore if the female smiles, the male feels that she desperately wants him and this will encourage the male to establish communicati on with the female. Our cultural system have gave men the power of being the dominant gender. Furthermore our society has permitted than males than women are property of males. Males believe that females go to bars to encounter a sexual relation. According to the author â€Å"Music videos, video games, crime shows, even popular entertainment magazines such as

Pop Art Form A Critique Of Post Wwii Society And Culture...

Does Pop Art form a critique of post-WWII society and culture or is it a celebration of high capitalism and consumption? Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution. Roy Lichtenstein’s art ‘investigates modes of representation - the visual properties of style and reproduction’. (Weitman 1999 p.46) Lichtenstein was fixated on advertisements and comic strips. These modes ofShow MoreRelatedAll That Is Solid Melts Into Air2213 Words   |  9 Pagesattitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established EuropeanRead MoreThe Path Of Pop Culture1883 Words   |  8 Pages THE PATH TO POP CULTURE Art 212 Research Paper â€Æ' The Path to Pop Culture One of the most influential time periods with in Art Culture was Pop Art. It paved the way for Art that that challenged the convention of fine art. This is my attempt to learn about Pop Art because I want to show how the WWII was an influence on Abstract Expressionism. That later influenced Pop Art. This way I can help my reader understand, the power of Pop Art. During this paper I plan to discuss, World War II and theRead MoreASAM 5 Notes Essay6590 Words   |  27 Pagesindication is as a society, we read fewer and fewer book. We play more video games, we see more movies, we are too distracted. In some ways, a class like this is to remind you why fiction novels and short stories are worthy of your time What is literature A James woods: Fiction is a creaseless experiment with uncollectable data An attempt to order data with the use of story Allows us to see the wholeness of a life we cannot see in our own life Forms: Realism, modernism, post modernism FroitzanRead MoreGp Essay Mainpoints24643 Words   |  99 Pagesand Ethics b. Government and scientist role in science c. Rely too much on technology? d. Nuclear technology e. Genetic modification f. Right tech for wrong reasons 3. Arts/Culture a. Arts have a future in Singapore? b. Why pursue Arts? c. Arts and technology d. Uniquely Singapore: Culture 4. Environment a. Developed vs. Developing b. Should environment be saved at all costs c. Are we doing enough to save the environment? d. Main reasons for environmental problemsRead MoreNational Security Outline Essay40741 Words   |  163 Pagesnational security center around defending territory -Protecting homeland not a major concern until after WWII due to physical isolation -Pearl Harbor attack changed national opinion - protecting homeland now major concern -US became aggressive in defense of homeland after WWII by extending defensive perimeters through the creation of alliances (UN, NATO, Rio Treaty) -Forces -Before WWII, large standing armies were seen as threats to liberty -With development on nuclear weapons, opinion hasRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 PagesPublic Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in Recent America Joanne Meyerowitz, ed., History and September 11th John McMillian and Paul Buhle, eds., The New Left Revisited David M. Scobey, Empire City: The Making and Meaning of the New York City Landscape Gerda Lerner, Fireweed: A PoliticalRead MoreDeveloping Management Skills404131 Words   |  1617 PagesLeale Senior Production Project Manager: Kelly Warsak Senior Operations Supervisor: Arnold Vila Operations Specialist: Ilene Kahn Senior Art Director: Janet Slowik Interior Design: Suzanne Duda and Michael Fruhbeis Permissions Project Manager: Shannon Barbe Manager, Cover Visual Research Permissions: Karen Sanatar Manager Central Design: Jayne Conte Cover Art: Getty Images, Inc. Cover Design: Suzanne Duda Lead Media Project Manager: Denise Vaughn Full-Service Project Management: Sharon Anderson/BookMasters

Hamlet Essay About Deception Example For Students

Hamlet Essay About Deception Think of a play that has a character who always dresses in black; a child disinherited because of a parents remarriage; a young man with an Oedipal complex; meditations on the nature of writing and art; and a play-within-a-play. If you guessed Hamlet, youd be right. But youd also be right if you guessed The Seagull. The American Repertory Theatre in Cambridge, Mass. has programmed both plays this season, using the same cast, and audiences who saw Hamlet, which closed in January, will get to see Chekhovs play beginning Feb. 14.The idea for the double dose of melanccholy came from ART artistic director Robert Brustein, who suggested it to guest director Ron Daniels. Although Daniels is directing both plays, he says hes of two minds about promoting the parallels.A play has got to stand on its own and reach its audience as a live piece of theatre, without extraneous references, he says. That being said, then you start investigating certain connections between the two plays, and interesting things begin to emerge.Chekhovs characters are continually quoting Hamlet, Daniels points out. Obviously the central relationship between Trepley and his mother is very Hamlet-like. Then there is the dead father and the usurper Trigorin. And finally Nina, like Ophelia, undergoes a great emotional stress.But such parallels, says Daniels, are mechanical. What interests him is Chekhovs attitude toward his characters, which, unlike Shakespeares is profoundly ambivalent. Chekhov was exasperated by the Russian intelligentsia, who had potential for goodfor reformbut was incapable of action, he explains. The Russian Hamlet is a superfluous figure, and therefore he is swept aside. Or, actually, Treplev sweeps himself aside.In Danielss view, its Chekhovs women who are heroic: Arkadina, a voracious survivor; Masha, who has grit and a determination to endure; and particularly Nina. It is Nina who escapes the entombment of this world, and survives and endures and changes, he says, whereas in Hamlet, the Nina character Ophelia is destroyed. She refuses to fight for her life in the river.The productions are cross-cast, so that Mark Rylance, who played Hamlet, will play Treplev; the actress who played Ophelia will be Nina; Gertrude will be Arkadina; Claudius will be Trigorin; and other Danes will become Russians.Daniels originally directed Hamlet in 1989 at the Royal Shakespeare Company, where he spend the past 14 years as an associate director. For its remounting at ART, a coproduction with the Pittsburgh Public Theater, Daniels brought with him lead actor Rylance, composer and musician Claire van Kampen, and designer Antony McDonald. The director credits McDonald with nudging him away from location Shakespeare over the past four or five years. The moment you say, |Im going to set Pericles in modern Palestine, a set of inevitable solutions arises. I think its very easy to do productions of that nature, but its more interesting to try to find an inner logic, an inner coherence.McDonalds set for Hamlet is dominated by an immense window in the upstage wall, sharply titled onto a corner, through which the audience sees painted gray breakers mounting to the top. When the back wall opens for outdoor scenes, like Fortinbrass march and Ophelias funeral, the turbulent ocean threatens to engulf the stage.McDonalds costume suggest various periods of the early 20th century. The womens dresses look vaguely Edwardian (although Ophelia enters in a satin gown she might have borrowed from Jean Harlow), while male courtiers wear maroon-and-gray uniforms, jackboots and Sam Browne Belts, implying a fascits, 1930s Denmark. Perhaps the most arresting image was Rylances teary-eyed Hamlet wandering through Elsinore in dirty, rumpled pajamas, like a lost child. Daniels says the idea arose because of Rylances youthful looks. Through the play it was possible to investigate the whole trauma of adolescenceadolescent breakdown, schizophrenia, suicide, despair, says the director, who is a father himself. (A son, 23, has just joined the RSC; his daughter is 19.)The idea of a modern man reduced to a figure in pajamas has obsessed Daniels recently: his Richard II in 1990 wore the pajamas of a concerntration camp, and he says the image may resurface in The Seagull. .u6872b82394602411c2a42d715fa73265 , .u6872b82394602411c2a42d715fa73265 .postImageUrl , .u6872b82394602411c2a42d715fa73265 .centered-text-area { min-height: 80px; position: relative; } .u6872b82394602411c2a42d715fa73265 , .u6872b82394602411c2a42d715fa73265:hover , .u6872b82394602411c2a42d715fa73265:visited , .u6872b82394602411c2a42d715fa73265:active { border:0!important; } .u6872b82394602411c2a42d715fa73265 .clearfix:after { content: ""; display: table; clear: both; } .u6872b82394602411c2a42d715fa73265 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6872b82394602411c2a42d715fa73265:active , .u6872b82394602411c2a42d715fa73265:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6872b82394602411c2a42d715fa73265 .centered-text-area { width: 100%; position: relative ; } .u6872b82394602411c2a42d715fa73265 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6872b82394602411c2a42d715fa73265 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6872b82394602411c2a42d715fa73265 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6872b82394602411c2a42d715fa73265:hover .ctaButton { background-color: #34495E!important; } .u6872b82394602411c2a42d715fa73265 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6872b82394602411c2a42d715fa73265 .u6872b82394602411c2a42d715fa73265-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6872b82394602411c2a42d715fa73265:after { content: ""; display: block; clear: both; } READ: NEA emerges intact: Congressional process is a tortuous path EssayFor the latter play, McDonald has created a visual parallel to the wild ocean: Chekhovs lake dominates the background. The design is vast, says Daniels. It starts off with huge landscapes, and gradually reduces, so the final scene is set in a minuscule, tomblike space. Nina emerges from this tomb and ventures through the storm toward a new life, leaving the rest to disappear into history. Daniels says he and McDonald intend to uproot Chekhov out of the sepias and the linden trees and the long flowing Victorian gowns, setting the play considerably later. Im anxious to explore color. Its not necessarily a play about sepia nostalgia; its vibrant, says Daniels. Apparently Matisse was a great favorite in Russia at the time the play was written, so McDonald has incorporated colors from the painters palette into the design. Danielss arrival at ART renews an old friendship with Brustein and other company members from Brusteins tenure at Yale Repertory Theatre, where Daniels directed plays by Brecht, Bond and Rudkin in the 1970s.The director, who is 49, was born and raised in Niteroi, a city across the bay from Rio de Janeiro, but established himself in England after a coup that toppled the Brazilian government in the 1960s. He became a free agent earlier this year when Adrian Noble reorganized the RSC, using freelance directors rather than house directors.ART, meanwhile, has asked him to stay in Cambridge as associate artistic director, a prospect which excites him. Im very interested in doing more than ad hoc productions, Daniels says. I like the sense of continuity at ART.The third stage of my life, which is going to happen in America, will tap both my early daysthe colors, smells, abandon and chaos of South America and my European years the discipline and rigors of the Old World. In America, I look forward to bringing those two things together.

Strategic Management Concepts and Strategies

Strategic management refers to the initiatives, intended or emergent, that are normally taken by managers on behalf of owners of a company. It entails the utilization of resources with the intention of boosting the performance of the firm.Advertising We will write a custom case study sample on Strategic Management: Concepts and Strategies specifically for you for only $16.05 $11/page Learn More Strategic management is essentially about defining the organizations’ mission, vision and objectives, development of plans and policies which are in the form of programs and projects most of the time. It is good practice for managers to measure progress towards the organizations’ objectives or lack of it using a balanced yardstick. It is fundamentally a type of management that is focused on overall goals of the organization in which the missions as well as planned achievements are explicitly defined and all management processes are structured and mon itored in a bid to achieve the organization’s overall goal. Strategic management is essentially about three processes which are analysis, decisions and actions. Strategic management entails the analysis of strategic vision, mission as well as the strategic objectives together with the external and the internal environment of an organization (Hitt et al, 101). What follows thereafter is the decision making which is usually done by the leader since it is his responsibility. Decision making is basically made on two levels; which field should we compete in? How are we supposed to compete in that field? Lastly, actions are taken based on the decisions that have been made. The necessary resources are utilized in a bid to bring the intended initiatives to reality. The other essence of strategic management is finding out why some firms post better results than others in the same line of business. The manager should therefore be preoccupied by how he can compete so that his firm can c ompete so as to have a competitive edge over its rivals in the market. The competitive advantages should be sustainable over a long period of time in the sense that competitors can neither copy nor substitute them easily.Advertising Looking for case study on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More The chief goal of any organization is to register results while that of strategic management is to ensure that those results are in sync with the organization’s overall goal. It therefore implies that for an organization’s results to be in line with the organization’s goals, constant monitoring of every activity going on within the organization is necessary. On several occasions after monitoring has been done, a manager will identify areas or processes which need to be altered in order to register results that are in line with the organization’s overall goals. The necessary changes should be m ade as soon as possible under the leadership of the manager. This will only work if the strategic management processes were properly implemented meaning that there was flexibility (Liebeskind, 18). Therefore strategic management essentially lays a lot of emphasis on the fact that managers should be on the lookout for external threats as well as opportunities while bearing the firm’s weaknesses and strengths in mind. Threats to a firm may be in the form of threat of new entrants into the market who threaten to eat into some of the firm’s market share. Fierce rivalry among firms may also be perceived as a form of threat to any organization. Opportunities may come in the form of government subsidies or tax breaks. Strengths of any organization are internal, therefore highly skilled staff can be considered as strength to the firm while the use of outdated technology relative to competitors is regarded as a weakness. Works Cited Hitt, Michael, et al. Strategic Management: C oncepts and Cases: Competitiveness and Globalisation. (9th ed). Sydney, Australia: Cengage Learning. 2011. Print. Liebeskind. Knowledge, Strategy, and the Theory of the Firm. Strategic Management Journal. Vol: 17 1996. 18. Print.Advertising We will write a custom case study sample on Strategic Management: Concepts and Strategies specifically for you for only $16.05 $11/page Learn More This case study on Strategic Management: Concepts and Strategies was written and submitted by user Kamden Sullivan to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.